In Volume V, No. 1 of The Masses from October 1913, readers find an issue focused on social criticism and political activism. This publication was a leading voice for progressive ideals during the early 20th century.
The central theme in this issue revolves around the critique of charity organizations and reform movements that were prevalent at the time. An article titled “A Dissertation on the Evolution of Humps, Etc.” offers biting satire towards such groups, arguing they often fail to address systemic issues and even cause harm instead of helping those in need.
Another prominent topic is the examination of class consciousness and its significance in shaping society. The magazine encourages readers to question the status quo and demand greater social justice for the working class. The issue also features artworks that reflect these themes, such as Glenn O. Coleman’s drawing titled “Lies.”
Throughout this edition, The Masses challenges its audience to think critically about societal structures and advocates for change in a powerful and provocative manner. It serves as a testament to the magazine’s unwavering commitment to socialist principles during a pivotal period of American history.